I. Modality, pandiatonicism, tertian harmony, jazz 1. Bela Bartók. Evening in the Country 2. Igor Stravinsky. Vivo 3. Ernst Bloch. Poems of the Sea, “Waves” 4. Claude Debussy. Prelude No. 8, book 1 5. Claude Debussy. Pour le piano, Sarabande 6. Igor Stravinsky. L’Histoire du Soldat, “Marche Royale”

II. Scalar and chordal techniques, polytonality 1. Bela Bartók. Forty-four Violin Duets, No. 33 2. Bela Bartók. 7 Sketches, II (See-Saw) 3. Bela Bartók. 7 Sketches, V (Romanian Folksong) 4. John Alden Carpenter. Danza 5. Ángel Lasala. Trío No. 1, I

III. Interval music, free atonality, and serialism 1. Igor Stravinsky. Symphony of Psalms, II 2. Bela Bartok. Music for Strings, Percussion, and Celeste, I 3. Arnold Schoenberg. Three Songs 4. Luigi Dallapicolla. Goethe Songs, No. 2 5. Roger Sessions. Sonata for Violin 6. Arnold Schoenberg. Three Piano Pieces, Op. 11, No. 1 7. Anton Webern. Symphony, Op. 21, II